Photography by Michael Shainblum
Time-lapse photography entitled “Existence” by Michael Shainblum. “The video is a statement not only about time and progression, but also a statement about the world we have created for ourselves. The basis of the video contrasts the two extremes of life itself: the urban metropolis, and the beauty outside the city.”
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Photography by Helen Sear
Helen Sear works with her photographs as if they were veils, layering multiple images to create evocative landscapes, each delicately inscribed with a figure.
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Photography by Ula Wiznerowicz
A series of photos of her native village of Palmowo, Poland entitled “Behind the Curtain” by Ula Wiznerowicz. The photographer states: “The series of photographs represents a personal journey through the individual stories of the men and women dealing with alcoholism. I have attempted to create a visual narrative to reflect on my own story of the past.”
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Sculptures by Michael Jantzen
A series of sculptures by Michael Jantzen. The artist states: “The House As A Metaphor, is a series of conceptual-art sculptures that incorporate a simple symbolic shape of a house in each of the pieces. In some cases the title of the piece is very directly related to its finale form, and in others, the title and the form are more abstractly connected. In every case, the intention was to play with the image of the house, and have some fun with it.”
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Paintings by Christian Breitkreutz
A series of works by self-taught painter Christian Breitkreutz. The artist states that “through the use of recurring characters I allow my art to take on the form of a story, journaling my life and the events in the world around me, but never too complicated so that it can not be interpreted subjectively, as I prefer the viewer to draw their own conclusions.”
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Photography by Ellen Jantzen
A series of photo manipulations entitled “Transplanting Reality; Transforming Nature” by Ellen Jantzen. The artist states that “In this series I am addressing my concerns by transplanting replica trees into the natural world. These trees take the form of a constructed likeness or of a ghostly apparition. One is artificial, the other a spirit form; both represent the transformation of nature.”
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