Transitus Essence III by Florian Mueller

Continuing on his Transitus series, these photos by Florian Mueller are abstract visualizations of landscapes.
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Sculpture by Lucile Soufflet and Bernard Gigounon

A sculpture in La Louviere, Belgium entitled “The Plate” by Lucile Soufflet and Bernard Gigounon.
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Paintings by Zou Cao

Paintings by Zou Cao using his own fingerprint as a motif to overlap portraits of well-known figures.
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The Sound of Stenciling by Pahnl

A video on the making of a stencil painting entitled “And I’m Not Going To Take This Anymore” by Pahnl.
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Drawings by Kay Ruane

Drawings by Kay Ruane.
Even though I am the model for the figures in the drawings, I use my image as a starting place and each figure then creates her own life. Often the specific theme is related to a cultural disconnect, as well as a longing to be a part of a different physical reality and the culture it embodies. At the same time, there is a fear of actually experiencing the culture, or other world, represented by what is “outside the window”.
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Photography by Thierry Halbroth

A shooting angles exploration by Thierry Halbroth entitled “Boeing 77-300″.
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Paintings by Paul Winstanley

Paintings by British artist Paul Winstanley.
Paul Winstanley creates photorealistic paintings of the mundane and ordinary, giving us snapshots of everyday life. Delivering simple images of empty spaces like interview/waiting rooms, TV lounges and corridors etc he still manages to convey something powerful. It’s the absence of chaos and the presence of this silence that becomes intriguing and allows the viewer to fill the painting with their own interpretations.
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Photography by Emma Powell

Conceptual photography entitled “The Shadow Catcher’s Daughter” by Emma Powell.
I use self-portraiture to articulate personal narratives, which are often both nightmare and fantasy. Human and animal forms interact in unexpected ways to symbolize discoveries and conflicts in my intimate relationships.
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Paintings by Frank Webster

A series of paintings by Frank Webster. “Frank Webster’s paintings typically depict post-industrial landscapes drawing on the aesthetic traditions of minimalism and realism. Grounded in reality, the paintings nonetheless abstract the ordinary: the everyday world is made transcendent and strange — and is imbued with an ethereal and melancholy beauty.”
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