Verb is back, this time in the form of Verb Compressed. Comprising of 18 weights Verb Compressed is another successor to the hugely popular Verb family, and also comes in on introductory offer again with 18 fonts for just £6!
Like the original Verb family, Verb Extra Condensed from Yellow Design Studio is confident, friendly and energetic, but has been carefully re-drawn with space saving proportions. At text sizes it’s legible and economic, while at larger sizes it reveals lively shapes and personality. It includes over 800 glyphs and a full compliment of professional typographic features. Download Verb Extra Condensed Light for free!
Save yourself a fortune (90% OFF to be exact) and grab the Verb font family today for just £6!
Frontage is a charming layered type system with endless design possibilities using different combinations of fonts and colors. Achieve a realistic 3D effect by adding the shadow font or just use the capital letters of the regular and bold cut for stark artwork. The typeface’s design is based on a simple grid which creates the friendly, handcrafted look of facade signs. It is generously spaced for maximum impact of your message. As a display typeface Frontage loves color and is suitable for headlines and logotypes. Details include 224 characters in six styles and manually edited kerning.
Nanami is a brand new Japanese inspired type family. Originally influenced by early swiss geometric-style sans serif faces that were popular in use throughout Japan during the 1970s. Nanami consist of 18 individual weights ranging from Thin through to Black. It also has extensive support for over 27 languages, and as a font family that works well both in headlines and bodycopy, Nanami is the perfect choice for a whole variety of creative briefs.
Don’t miss out on this Killer Deal. Hiruko Pro family (20 Fonts) for just $24! Hiruko Pro is a brand new, improved version of our original release from back in 2008. We have made many improvements to the original family, which now includes a variety of redrawn characters, improved kerning, and 4 brand new weights to help give the overall family more balance. Hiruko Pro works well both as a headline and a text font, and it also renders nicely on the web. This type family has been produced to the highest standard, with each weight supporting 27 different languages. Hiruko Pro consists of 20 weights, ranging from Extra Light to Black, with Hiruko Pro Outline Oblique available for free.
Gaslon is a slight reinterpretation and major expansion of a 1973 film type called Corvina Black, originally designed for VGC by A. Bihari. While the original typeface was popular in its own right, there were some things in it that were too quirky to work in the display applications it was intended for. Some of the letter combinations just didn’t work to their visual optimum. For example the a and o were too similar, ditto the C and G, the E, F and J were too overwhelming to be set properly within certain display uses. Gaslon eliminates these problems by the inclusion of plenty of alternates for the vast majority of the original letters. In fact, the original a is itself now an alternate to a gorgeous new one. The Gaslon Alt font includes tremendous possibilities for both unicase use, and proper use in conjunction with the main font. This is our true homage to a typeface that had great potential more than three decades ago, but was overlooked by digitizers because of a few quirks it had in film type contexts. Full of curves and invitation, Gaslon ranks very high among the friendliest poster faces ever made. It is ideal for friendly store signs, children book covers, and plenty of other applications. In fact, if you’re planning on contributing to a few protests around your neighbourhood or city, you would probably be better off using Gaslon to help your sign/placard carry words and slogans that are big but friendly. Nothing beats “DOWN WITH GAS PRICES” set in a nice imaginative mix of the many Gaslon letters. The OpenType version of Gaslon is a single font that contains all the alternates and niceties programmed within features accessible by OT-friendly programs.
It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern in many aspects, not the least of which are the many curvy alternates included, and the smooth flow of the biform shapes when used with the main caps.
Clocking in at over 670 characters per font, Spade comes loaded with very comprehensive Latin-based language support and OpenType features up to the hilt.
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve years of work on it have made it more fitting to the luxurious expression of our day and age, rather than nineteenth century Europe. Upscale and stylish, Didot Headline is an essential tool for any designer involved in magazines, books, tasteful music, or overall luxury packaging that requires clean and large classic typography with an unmistakable modern spin. We recommend the use of Didot Headline between 12 and 48 points. For larger display use, check out its sister family, Didot Display.
Based on a specimen of an obscure and uncredited old face called Kitterland, Hamlet is one of those curiosities hardly ever noticed in the world of modern fonts, the kind that infuses a variety of historic Blackletter and calligraphy traits in an otherwise Roman alphabet. Such typefaces, what few of them exist, are almost always classified by typophiles as traditional decorative Roman alphabets. We beg to differ. We think such hybrids are fascinating enough to deserve a classification of their own. And we think today’s aspiring letterers and type designers would benefit from paying special attention to this kind of hybrid alphabet, not only because it has much more hand than machine in it, but also because it is a prime example of how to succeed in mixing different lettering techniques into one self-contained and distinctly functional alphabet.
Hiruko Pro is a brand new improved version of an original release back in 2008. Many improvements to the original family including the re-drawing of a variety of characters, improved kerning, and 4 brand new weights to help give the overall family more balance. Hiruko Pro works well both as a headline and a text font, and it also renders nicely on the web. This type family has been produced to the highest standard with each weight supporting 27 different languages.