Jenn Brown Captures Amazing Photos Of Abandoned Places Across The USA
Jenn Brown is a multi-talented self-taught photographer, artist and designer currently based in Ridge, NY. Jenn is obsessed with abandoned places, she captures urbex spaces of all sorts: crumbling paper mills, factories, synagogues, theatres, rooms and farms.
More info: Instagram (h/t: photogrist)
More Inspiring Stories
Cyberpunk Street Photos In Hong Kong By Andy Knives
Spectacular Winning Images of The 2022 Association of Photographers Awards
The Majesty Of The Animal Kingdom in Amazing Photographs by Simen Johan
A Photographer Found An Abandoned Wooden Model Of Russian Buran Spacecraft
Watermelon
Amazing Creepy Bottles Inspired By H. P. Lovecraft's Worlds
Couple Travel To Iceland With A Full Crew For Pre-Wedding Shoot Atop Volcanic Rocks And Glaciers
Photographer Uses Her Dad’s Old Slides To Create A Nostalgic Photo Series
We’re No Angels, But We’re Still Wonderful
Photographer Sally Mann Wins 2021 Prix Pictet for Series on Wildfires
Striking Drone Photography By Martin Sanchez
A Journey Through America in the 1970s and 1980s
A Private Collection Of 19th Century Photographs Of Black Victorians
Photographer Derry Moroney Captures Breathtaking Aerial “Tree Of Life” Photos Of A Receding Lake
Beth Moon Photographs The World’s Oldest Trees Illuminated By Starlight
Satellite Photos of Japan, Before and After the Quake and Tsunami
Stunning Travel Landscape Photography By Kyle Mijlof
Spectacular Winning Photos of the 2021 Underwater Photographer of the Year Contest
Chilling Photographs of Summer Tourists on the Acropolis in Athens in the Early 1980s
Gorgeous And Intriguing Series Of Photographs By Øystein Sture Aspelund Capturing Temporary Installations Of Smoke, Light & Fire, Set In Unspoilt Nordic Landscapes
Jodie Foster Holding a Lamb in a Promo Shoot for "The Silence of the Lambs"
'Zombie Car' Abandoned in China Street
"Re-Enact Russia": Bringing Past Into The Present
Stunning Black And White Photos Of A Young Katharine Hepburn In The Grass Taken By George Hoyningen-Huene In 1934